LOT DETAILS

Materials:

ink and color on paper

Measurements:

12.80 in. (32.50 cm.) (height) by 51.77 in. (131.50 cm.) (width)

Description:

SIGN UP or LOG IN

Markings:

Entitled, inscribed and signed, with one seal of the artist, Dated tenth day, tenth month, xinsi year (1761) and dedicated to Yinluo, Frontispiece by Chen Hongshou (1768-1822), with two seals, Colophons by Chen Hongshou, Fan Fengxie (18th-19th Century), Lu Yushu (18th-19th Century), Shi Mo (19th Century) and Zhang Buzhan (19th Century), with a total of eleven seals, Sixteen collector's seals, including three of Shen Weiyu (19th Century), three of Jin Futing (19th Century), three of Li Yufen (19th Century), one of Zhang Buzhan (19th Century) and four of Yang Shoushu (1863-1944), Titleslip by Tan Zekai (1889-1948), with one seal, Titleslip and 'Collection of A Hundred Plum Blossoms Studio' label on the wooden box

Literature:

Jin Nong’s Painting Register, Shandong Pictorial Publishing House, Jinan, November 2010, p.185. Jin Nong Shu Hua Ji, Shanghai Literature & Art Publishing House, Shanghai, February 1996, Chronicles of Jing Nong p.5. Wang Feng Zhu, Zhou Jiyin ed., Painting Catalogue of the Eight Eccentrics of Yangzhou, Jiangsu Fine Art Publishing House, Nanjing, June 1991, p.286. Bian Xiaoxuan ed., Chronicles of the Eight Eccentrics of Yangzhou, (I), Jiangsu Fine Art Publishing House, Nanjing, July 1990, p.262. Shanghai Museum ed., Seals and Signatures of Chinese Calligraphers and Painters, Cultural Relics Publishing House, Beijing, December 1987, pp.591-593, pl.47 and 63. Chinese Calligraphy and Painting Studies Society ed., Chronicles of Song, Yuan, Ming and Qing Calligraphers and Painters, The Liberal Arts Press, Taipei, 1975,p.372. Guo Weiqu ed., Chronicles of Song, Yuan, Ming and Qing Calligraphers and Painters, Chinese Classical Art Publishing House, Beijing, November 1958,p.372. Fine Art Monthly, No. 9, Chinese Painting Studies Society, Beijing, 1930, p.16.

Provenance:

PROPERTY OF A PRIVATE COLLECTOR